
A.C. After Cremona
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Beschreibung
A history of the modern violinStradivari died in 1737, within about a decade after his death, the leading makers of not only Cremona, but the world, were gone. It was the end of an era. The Italian violin making centers were caught up with the other great movements of the times, the demise of "Cremona" was like the passage of a season, merely a natural transition to the next stage of existence. If it can be said that after Cremona's "golden Age", violin making became retroactive in style, it can also be said that optimism and innovation moved further north, and on into France. With the establishment of the Conservatoire, and the concentration of "lutherie" in the city, Paris became Europe's new violin capital, its new "Cremona".In "A.C. After Cremona", John Huber presents this fascinating history of modern violin making. As in his first Book about the history of violin making before Cremona, the author illustrates instrument development with photographic examples of ancient stringed Instruments. von Huber, John
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Über den Autor
John Huber wurde 1940 auf einer kleinen Farm in der Nähe von Brookville in Pennsylvania geboren und ließ bereits in jungen Jahren ein lebhaftes Interesse an den Streichinstrumenten und ihren Konstruktionsprinzipien erkennen. Er promovierte an der Stockholmer Universität mit einer Doktorarbeit über den Übergang der Barockgeige zu ihrer heutigen Form. Seine beruflichen Aktivitäten befassten sich stets mit Streichinstrumenten. Er war als Instrumentenbauer, Händler, Museumskurator, Stiftungsmanager und Berater tätig. John Huber, born on a small farm near Brookville Pennsylvania in 1940, developed an interest in string instruments and their construction early in life. His professional activity has always involved stringed instruments. He was awarded a Ph.D. in Musicology from Stockholm University for a study of the violin. He has been employed as a maker, in sales activity, as a museum curator, as a foundation manager, and frequently as a consultant.
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