Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation. von Thurmann-Jajes, Anne
Anne Thurmann-Jajes (Dr.) is head of the Centre for Artists' Publications at the Weserburg Museum of Modern Art and teaches at the University of Bremen, Germany. She co-chaired the research collaboration Radio Art: On the Development of a Medium between Aesthetics and Sociocultural Reception History, funded by the Volkswagen Foundation (2011-15). She has curated numerous major exhibitions and symposia on Radio Art.Ursula Anna Frohne (Prof. Dr. phil.) is a professor of art history at the University of Münster (WWU), Germany, and co-chaired the research collaboration on Radio Art (2011-15). In 2014, she was awarded the Leo Spitzer Prize for the Arts, Humanities, and Human Sciences by the University of Cologne for excellence in research.Jee-Hae Kim studied art history, philosophy, and theater, film, and television studies at Seoul National University, South Korea, and the University of Cologne, Germany. She was a research associate for the research collaboration on Radio Art (2011-15), before joining the Department of History of Art at the University of Cologne.Maria Peters (Prof. Dr. phil.) is a professor of art education at the University of Bremen, Germany. She co-chaired the research collaboration on Radio Art (2011-15).Franziska Rauh studied cultural studies, musicology, and science of arts at the University of Bremen, Germany. She was a research associate for the research collaboration on Radio Art (2011-15). Since 2018 she has been a lecturer at the University of Bremen, Germany.Sarah Schönewald studied fine arts and art education, art history, and art and cultural mediation at the University of Bremen, Germany, and was a research associate for the research collaboration on Radio Art (2011-15). She is currently working as an assistant curator at the Staatliche Museen zu Berlin - Stiftung Preußischer Kulturbesitz.
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