Ubiquitous Listening
Kurzinformation
inkl. MwSt. Versandinformationen
Artikel zZt. nicht lieferbar
Artikel zZt. nicht lieferbar
Beschreibung
Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject. von Kassabian, Anahid
Produktdetails
So garantieren wir Dir zu jeder Zeit Premiumqualität.
Über den Autor
Caetlin Benson-Allott is Assistant Professor of English and Film and Media Studies at Georgetown University.
- Hardcover
- 463 Seiten
- Erschienen 1989
- Schott Music
- Hardcover
- 272 Seiten
- The MIT Press